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Nine-year-old girl's heroic actions after mum fell unconscious

A nine-year-old Queensland girl is being hailed as a hero this morning after leaping into action to save her unconscious mother's life.

When her mother stopped breathing Charli Johnson called Triple Zero and performed CPR for an astonishing 17 minutes until emergency services arrived.

Charli credited TV show "Operation Ouch" for letting her know what to do in a medical emergency.

READ MORE: Baldwin points finger over deadly Rust shooting after FBI report

"It shows CPR and tells you to ring Triple Zero in an emergency," she said.

"I just remembered my address and mum's phone number."

Mum Sharon, who has recovered and is feeling better, said she was "extremely proud".

Ambulance operator Anne Barklimore, who took Charli's call, said the girl was one of the most composed callers she had ever heard.

READ MORE: Grandmother suffers heart attack after leaving hospital

"I needed her to know she wasn't alone. I needed her to know I was here with her and I was going to stay with her," Barklimore said.

"I was also thinking I really needed Sharon to be okay because Charli needs a mum around to become the legendary human she's going to be."

Charli stayed focused on the task at hand, performing chest compressions for about 17 minutes.

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Barklimore offered advice for all families watching who might be unfortunate enough to find themselves in Charli's situation.

"Take a deep breath. And be really clear with your suburb first, then your address, then your phone number," she said.

"We can't get an ambulance to anywhere without knowing what's going on. We just need to know where they are first. And Charli was able to do that straight away and then tell me what was happening."

Baldwin points finger over deadly Rust shooting after FBI report

Alec Baldwin says he doesn't believe he or anyone else will face criminal charges in the fatal shooting last year on the Rust movie set – a tragic episode he says "has taken years off" his life and has cost him professionally.

Prosecutors awaiting the investigative report from the Santa Fe Sheriff's office will weigh evidence in the October 21, 2021 shooting on the film's Old West set outside Santa Fe, New Mexico to determine whether to pursue charges.

Baldwin and crew members were rehearsing a scene in a rustic church when a prop gun in the actor's hand discharged, killing cinematographer Halyna Hutchins and wounding director Joel Souza.

READ MORE: Three charged over infamous 'snitch' mob boss' prison death in US

Investigations into the tragedy have focused on how a live round of ammunition ended up on a movie set.

In his interview with CNN, Baldwin placed responsibility for the tragedy on Hannah Gutierrez Reed, who served as the armourer and props assistant on the film, and assistant director Dave Halls, who handed him the gun. Through their respective attorneys, both Gutierrez Reed and Halls accused Baldwin of deflecting blame onto others.

"Someone put a live bullet in the gun who should have known better," Baldwin said.

"That was [Gutierrez Reed's] job. Her job was to look at the ammunition and put in the dummy round or the blank round, and there wasn't supposed to be any live rounds on the set.

READ MORE: Documentary lifts veil on 'New Zealand's secret cult'

Halyna Hutchins was killed on a film set in the USA.

"There are two people who didn't do what they were supposed to do.

"I'm not sitting there saying I want them to, you know, go to prison, or I want their lives to be hell. I don't want that, but I want everybody to know that those are the two people that are responsible for what happened."

According to an administrative complaint filed this month by the New Mexico environment department's occupational health and safety bureau against the production company, Gutierrez Reed told Halls to alert her when Baldwin arrived, so she could perform a safety check on his firearm.

The complaint goes on to say that the armourer left the church "expecting Mr Halls to notify her when Mr Baldwin arrived." Instead, the complaint says, Halls handed the revolver directly to Baldwin.

"Why didn't [Gutierrez Reed] check that bullet? Why didn't Halls obey her?" Baldwin said.

"Why did he give me the gun? Why didn't he check? Why did he tell the crew [it was a cold gun]?"

READ MORE: 'Deep concern' Trump may have put US at risk

Hannah Gutierrez-Reed

Baldwin also wondered aloud whether Seth Kenney, the movie's props supplier, accidentally provided live bullets to the Rust set. An FBI report released last week said that 150 live rounds of ammunition were found on the set.

In January, Gutierrez Reed sued the movie's gun and ammunition supplier, accusing PDQ Arm and Prop, LLC and its founder Seth Kenney of violation of trade practices, false and deceptive product labels, and false and material misrepresentations. In the suit, Gutierrez Reed alleges Kenney sold her a cache of dummy ammunition with live rounds mixed in.

Kenney's attorneys filed an answer last month, denying any allegations and asking the court to dismiss the case, but admitting his company was the sole supplier of ammunition to the set.

"We agree with Mr Baldwin and believe that Seth Kenney as primary ammunition supplier commingled live rounds with blank rounds in the ammunition provided to Rust," Jason Bowles, attorney for Gutierrez Reed said in a statement to CNN.

Dave Halls

"We have again asked that the Santa Fe County Sheriff's Office and FBI test the live rounds for fingerprints and DNA to confirm where the live rounds came from. To date they have not done so on this vital question, which must be answered to uncover the full truth of what happened."

CNN has reached out to the Santa Fe County Sheriff's Office for comment.

"We disagree with Mr Baldwin's attempts to deflect blame onto others. It is not for him to decide or to apportion blame," Bowles added.

In a statement, Halls' attorney said Baldwin is trying to shift blame away from himself.

"Baldwin is pointing the finger at others because the evidence is pointing at him," said Lisa Torraco.

"Halls is not responsible. Everyone needs to stop. People are only pointing the finger at Halls because they don't want the responsibility of being wrong. Halls is a scapegoat. People need to look at the evidence."

Baldwin has repeatedly said that he pulled back the gun's hammer as far as he could without cocking the gun and released the hammer – but did not pull the trigger. A newly released FBI forensics report says the weapon could not be fired during FBI testing of its normal functioning without pulling the trigger while the gun was cocked.

The report noted the gun eventually malfunctioned during FBI testing after internal parts fractured, which caused the gun to go off in the cocked position without pulling the trigger.

Luke Nikas, an attorney for the actor told CNN on Sunday the FBI report "is being misconstrued."

"When Alec Baldwin showed up that tragic day for filming, he had not a single reason in the world to think that there was a live bullet in that gun, in that church, or even on that property," Nikas told CNN in a subsequent interview on Thursday.

"It would be a huge miscarriage of justice [to charge Baldwin]."

'I don't want to see anyone suffer'

Over the last 10 months, Baldwin says he has replayed the events that led up to the fatal shooting. While waiting for Santa Fe County prosecutors to announce the results of their investigation, Baldwin says he took matters into his own hands.

"I hired a private investigator," he said.

Based on what his private investigator has reported back to him, Baldwin said he does not believe he will be criminally charged.

Baldwin said he believes that Gutierrez Reed and Halls wouldn't be criminally charged, either.

"I'm pretty confident neither one of them should ever work in a film set again," he said.

"I sincerely believe … [investigators are] going to say that this was an accident. It's tragic."

Baldwin added that he does not want to "condemn" Gutierrez Reed.

"I mean maybe it's the Catholic in me," Baldwin said. "I have an impulse to say, I don't want to see anybody suffer. I don't want to sit there and say you know, go get her and condemn her."

'That she died, that's the worst thing of all'

Filming on Rust shut down after the shooting. Baldwin says he went to great lengths to try to complete filming of the movie in an effort to provide potential proceeds to Hutchins' husband, Matthew Hutchins, and their son.

The cinematographer's widower is suing the film's production company, and Baldwin is named as one of the respondents.

"People talk about finishing the film to honor Halyna and I'm all for that, that's great. But more importantly, we wanted to put the money in the kid's pocket," Baldwin told CNN, referring to Hutchins' son.

Baldwin says he's lost five jobs since the Rust shooting and would have quit the film business if it wasn't for the support of his wife, Hilaria Baldwin, who is expecting their seventh child this fall.

"I got fired from another job yesterday," he said.

"There I was all set to go to a movie, jump on a plane … I've been talking with these guys for months and they told me yesterday we don't want to do the film with you because of this."

Baldwin also says he's feared for his safety since former President Donald Trump said publicly that he believed the actor killed Hutchins on purpose.

Baldwin says it's that type of stress that has "taken years off my life."

"There is just this torrent of people attacking me who don't know the facts," he said, crediting the support of his family with keeping him going.

"If I didn't have my wife, I don't know where I would be right now … If I didn't have her, I probably would have quit, retired, gone off, you know sold everything I owned, got a house in the middle of nowhere and just you know did find something else to do, sell real estate."

If and when he does return to a movie or TV set, Baldwin says he won't work with real guns anymore. Filmmakers these days can employ digital effects to create realistic guns onscreen, he says.

Baldwin also says there is not a day that goes by that he doesn't think about Hutchins and what happened that day.

"Everybody adored her as a person," Baldwin said, praising Hutchins' talent and character.

"That she died, that's the worst thing of all. Somebody died, and it was avoidable. It was so unnecessary," he said. "Every day of my life I think about that."

Documentary lifts veil on 'New Zealand's secret cult'

Gloriavale (M, 89mins) ****

Lifting the veil on "New Zealand's secret cult" and its apparent fall from utopian ideal to Animal Farm-esque nightmare, this enlightening, heartrending, rage-inducing documentary follows former members as they battle for justice – and reform – from the outside.

Siblings John Ready and Virginia Courage reveal what life was like inside the West Coast "Christian Community" and how their respective banishment and escape impacted on the family members they left behind, as they help compile a series of court actions against what they believe are its abuses of human rights and flouting of labour laws.

While their mother Sharon's testimony is revelatory, it's the archival footage and more recent secret audio recordings that really resonate – and shock.

READ MORE: How a confession to murder was ruled inadmissible

West coast of New Zealand

Far from the light entertainment of TVNZ's wildly popular "specials", Noel Smyth and Fergus Grady's (Camino Skies) tale is an excellent, powerful primer on the history, controversy and concern surrounding Gloriavale.

Originally founded near Rangiora in North Canterbury in 1969 by Australian evangelist Neville Cooper (later known as Hopeful Christian), who wanted to see the gospel practised, as well as preached, as historical footage here shows, it initially attracted people from all over the country keen to "forsake all to follow the teachings of Jesus".

In the early days, members wore their own choice of clothes, earned and controlled their own money and families lived in separate houses. Striving for innovation and self-sufficiency, in the early 1970s, the community was among the first to use biogas and conduct home births. Standardised clothing came in around the late 80s and – in 1991 – they purchased a 917ha property bordered by the Haupiri River and Lake Haupiri, naming it Gloria-vale in honour of Cooper's late wife.

READ MORE: First-of-its-kind 'portable PCR test' to hit Australian shelves this year

Gloriavale

But as the now exiled brother and sister recount, it was only as they got older that what they thought were "happy carefree days" were actually a part of them being "kidded into thinking" that the leaders' dream "was your dream too".

"You were taught to be quiet, taught to obey – that you can't trust your own ideas and you shouldn't question leaders that are speaking for God. Then you see them acting in ways that are not godly. They claim to be New Testament community. I think you'll find it's just a people damaging machine."

John Ready, in particular, heartbreakingly details how he has been separated from his family, alleging that his wife Purity has been pressured into decrying him as an "evil person", while secretly leaving him messages (on one occasion, in flour) to convey her true feelings.

Smyth and Grady make great use of the West Coast's moody visuals to set the scene and tone for what's to come, but without over-egging any symbolism. Likewise, they pace their story well, ensuring the onscreen testimony is balanced by background and context (although I perhaps would have liked a bit more about the early days before the community's shift away from North Canterbury).

READ MORE: Why expert predicts mass fish kills will increase across Australia

Former Gloriavale resident John Ready

With the court cases ongoing, one of the documentary team's biggest challenges must have been deciding where to stop their story. A late May apology by leaders for failing to prevent and protect victims of abuse and denouncement of any and all offending that has occurred at Gloriavale, as well as a recent court declaration that workers in Gloriavale's many businesses are "employees" and not "volunteers" (and thus governed and protected by our country's labour laws) does at least seem like a potentially significant moment.

Clearly designed as a clarion call for the public to pressure the government to do something about what many believe is a blight on our reputation as a progressive nation ("600 people living as slaves," as more than one interviewee here describes it), Gloriavale, at the very least, is likely to raise the consciousness (and hackles) of those who view it – and promote seemingly long-overdue conversations.

This story first appeared on Stuff and is republished here with permission.